..when we move to the new house and I can once again paint. I can see a beautiful rich green background for both these pictures.


..when we move to the new house and I can once again paint. I can see a beautiful rich green background for both these pictures.


Wednesday Stamper has a challenge that really resonated with me—flowers. I collect vintage flower images and I use them everywhere in my paper artwork. So even though I am still sans art room (or paints) and though I am a bit late in the day for this challenge (a new one is scheduled to go up tomorrow) I just couldn’t pass up the opportunity of making something for it.

This floral collage is a reversal of my usual hybrid collage technique in that it started with a real collaged background to which I added some virtual elements. I finished it off by stamping and colouring a butterfly (by Nonsequitur, one of my favourite art stamps companies).
The weather has forgotten it is Spring and has produced a sequence of cold, grey, rainy days from which we should mercifully emerge at some stage this week. But I haven’t forgotten and valiantly decided to celebrate the season anyway by putting together my favourite colour palettes to use at this time of the year.
1. The Roses in Bloom palette
This is the time of the year when the first roses start to bloom, and I really look forward to it. Their scent is heavenly but it’s the colours I am really drawn to. The pale pink, sweet peach, gentle cream and rich amber never fail to inspire me.

2. The Cupcake palette
I am not sure why cupcakes are a synonym of Spring for me. Perhaps because we make them for Mother’s day? But oh, I do love their colours, the baby pink, the delicate rose, the pale lemon, the elegant plum. And the colour combination works just as well in art as it does on the serving tray.

3. The Kensington Gardens palette
An early morning stroll in Kensington Garden inspired this one—the deep green of the foliage stood vivid against the taupe of the Broad Walk and the pale blue of the sky, lightened by the candy cotton white of a passing cloud.

4. The Lawn at Dawn palette
Green can be surprisingly delicate, just like the early Spring buds. I like to start with my dazzling, jewel-like phtalo and work it down to a pale hue that works well with gentle yellows and off-whites. It reminds me of a garden wrapped in the soft, early morning light.

5. The Chelsea Flower Show palette
The fondest memories I have of the many years I spent editing Countrylife.co.uk are linked to the Chelsea Flower Show. Walking through the gates, you are bombarded with scents, colours and artistic garden designs. It is so inspiring it can be overwhelming.

Do you have any favourite Spring colour palettes? Please share them with me. And don’t forget to let me know if you create something using these colour combinations.


At least, it takes my mind away from the whole mess that is the outcome of yesterday’s General Election in Britain…
So I want an art studio. Or at least an art corner. A place where I can make stuff and hey, maybe even have an inspiration board up on the wall. But even in the new house, it looks like there won’t be any room for it, at least not until we extend the kitchen sideways to make the dining room. This will allow me to turn the current dining room into an art area…but of course this is also not going to happen for another gazillion years (or at least until the end of December, which feels like a gazillion years to me).
Thing is, after months of living in a minuscule flat where I have to store my gesso among the towels in the bathroom cabinet (because it is one of the few places that Caterina can’t reach) and where making anything requires a preparation worthy of a major battle (because there is no room to craft, and because there is carpet everywhere, which doesn’t go hand in hand with acrylic paint), I am desperate for a place to make things, and I don’t want to wait another half a year for it.
So I have to be creative about this. I considered the storage loft (which has a lovely window and convenient, cheap floorboards) but it is a small room directly under the roof, so it may be a bit too hot and cramped to work in. I looked at the study, which is a great option because that’s where I spend a good part of my time anyway, but computers and paints are incompatible and I’d also have to kick out my work from home husband to make enough room for my pots, ephemera and jars (that would be fine by me, of course, but not so much by him). And finally, I went out in garden.
We have a side yard just outside the living room, which is decked and well sheltered but not really used for much. An art table would fit there perfectly, and the supplies could either be stored in damp-proof cabinet under the table or, the prettier stuff at least, could be shown off in the living room. The external wall would be the ideal place to stick an inspiration board, ventilation would be guaranteed by being outdoors and there is plenty of place to put stuff to dry. It is a far cry from the lovely studios featured in Where Women Create, but it will do.
There’s the small problem of the British weather to contend with, of course, but the cold would not be an issue in summer and a canopy could shelter me from the rain. And by the time winter comes and it gets too cold to create outdoors, well, I hope the extension will be well under way (though, after the debacle of the last few months, I won’t hold my breath). Or maybe I’ll have become so inured to the cold that I’ll be able to continue working outside.
But I’ll worry about that later. For now, I’ll just enjoy the views over the blooming flowers, the emerald lawn and (our neighbour’s) magnolia tree. It hardly gets more inspiring than that.

The view from my soon-to-be art studio